Supported by generous help from the Turnovsky Endowment Trust

Katherine McIndoe with brilliant performance of Britten’s Les Illuminations at St Andrew’s

By , 15/08/2018
Soprano Katherine McIndoe has been at the Guildhall School in London for the past year, though she was last heard, conspicuously, in both the operas staged in the middle of last year by Rhona Fraser’s Days Bay Opera: Tatyana in Eugene Onegin and Guilietta in I Capuleti e i Montecchi.  In Britain she sang at the Aldeburgh Festival last year as a Britten-Piers Young Artist, and was the Governess... read more

Third fine Orchestra Wellington concert, unthemed but with Dvořák 7, a great success

By , 11/08/2018
The third of Orchestra Wellington's 2018 subscription concerts offered an unusual mix of music: nothing unusual about the theme symphony-Composer, Dvořák, and an unfamiliar Mozart piano concerto, but the premiere of a commissioned piece by a Chinese composer with New Zealand associations, no doubt raised a certain curiosity ... or misgivings: that may have explained the slightly less-than-sold-out audience – a rarity for this orchestra these days. Mozart K 449 The... read more

Ensemble Zefiro a breath of fresh, tangy air in Wellington

By , 10/08/2018
I’ve copied out the titles of the pieces as per programme, which accounts for the unusual names for aria (arie), overture (ouverture) and partita (Parthia), the last of which I thought at first was some kind of misprint. But no – there it was - Parthia, an alternative form of “partita”. So as it was something I didn’t know before I thought it was worth committing to review! However... read more

NZSM classical voice students show their talents at St Andrew’s

A Thursday lunchtime concert apparently does not have the appeal of the regular Wednesday one; the audience was quite small.  However, it was an opportunity to hear some promising young singers, and a first-class accompanist. The singers were all sopranos, and a mixture of first, second and third year students, the majority being second years. First up was Olivia Stewart.  She sang two items in English: ‘Angels ever bright and fair’... read more

One piano, six hands and a programme of highly unfamiliar, surprising music by composers in unorthodox mode

By , 08/08/2018
Though this three-pianist ensemble has evidently been around for a while, I hadn’t encountered them. All three were masters students together at the New Zealand School of Music at Victoria University nearly 20 years ago. They operate at one keyboard, in case you have the impression that even the piano duet format is a bit crowded and might be uncomfortable; their places at the keyboard varied with each piece. Clearly there... read more

Monteverdi’s Orfeo – a “rarely comest…spirit of delight” from Eternity Opera

By , 04/08/2018
To my consternation, I learned after the performance on Saturday evening was completed, that this was to be the only “outing” for Eternity Opera’s production of Monteverdi’s Orfeo! On a number of counts, this was regrettable, if only for the fact that I knew of a number of people who weren’t able to attend the performance and who had expected (as I certainly did) that there would be at... read more

Rebranding strikes academia: Victoria University victim of corporate-style image-making

By , 31/07/2018
In a radical break from the knitting pattern that Middle C usually follows, I am driven to raise my voice to protest about the planned rebranding of my alma-mater, Victoria University of Wellington, or simply ‘Vic’ as it has always been universally known. Music in Wellington has its most important educational institution in Victoria University. This 'review' is prompted by the publication of Dave Armstrong’s column in this morning’s Dominion... read more

Swedish-New Zealand ensemble beguiles Waikanae with varied pieces: brand new, interesting, much loved

On picking up my printed programme when entering the hall, I recalled the last chamber music concert I reviewed: Wellington Chamber Music Trust’s concert at St. Andrew’s Church in Wellington on 15 July, where larger-size programmes (double A4) were available; an example Waikanae should follow, given the older-age group that comprises the bulk of the audience. This time the audience was considerably smaller than is usual at this venue, which... read more

Tudor Consort advances four centuries to the contemporary, war-stricken world with great success

By , 28/07/2018
Director of The Tudor Consort, Michael Stewart, spoke to introduce this generally unfamiliar (apart from the Bach) programme. As well as drawing attention to aspects of the music, he remarked on what might be felt as a departure from the choir’s usual territory, concentrating on early and Renaissance music (though there have generally been interesting deviations from that prescription), to tackle an entirely 20th, even 21st, century programme. He... read more

Tutors at the ASQ Academy confirm their stature in rare Shostakovich quartet, plus other masterpieces

By , 26/07/2018
Rosemary Collier’s review of Wednesday’s concert by participants in the 2018 Aroha String Quartet International Music Academy, offered a view of the level of performance skill that emerged from the week-long participation in the Academy, the fourth in what has become an annual event. Middle C appears to have overlooked them in the past. Further recitals by participants are taking place in the evenings and notably on Saturday evening... read more

Panorama Theme by Themocracy