Supported by generous help from the Turnovsky Endowment Trust

Jonathan Lemalu and Virtuoso Strings blaze forth in Porirua’s Te Ata Festival

By , 22/02/2020
Though the two events weren’t directly related, this heart-warming, youth-driven classical music event in Porirua involving Jonathan Lemalu and the Virtuoso Strings flew in the most appropriate and timely way right in the face of attitudes and rationales voiced by certain forces who had recently proposed the closure of RNZ Concert, the public network’s classical music station. Though on the face of things driven by demographic concerns (RNZ Concert’s... read more

NZSO, Gorecki and Ponifasio/MAU share singularly successful juxtaposing of utterly disparate creations, of profound common human vulnerabilities

By , 21/02/2020
It might have been slightly unusual to open a festival with a work (two works?) whose subject was the nature of woman, childbirth, even death, and dealing indirectly with one of the most terrible episodes in history. However, it drew attention to the way in which this festival has been created and conceived. Substantially put together by three leading figures in the performing arts, ‘Guest Curators’, carefully chosen with attention... read more

Is the Government paralysed by timidity? An update on the RNZ Concert crisis and a mass protest concert at Parliament

By , 20/02/2020
A protest concert on Parliament’s steps News website Scoop has published details of a concert involving hundreds of musicians performing in Parliament Grounds to voice their opposition to plans to axe RNZ Concert, the country’s only classical and jazz music station. A massed choir and orchestra, conducted by Wellington’s Brent Stewart, have chosen RNZ Concert’s 87th birthday, Monday 24th February, to voice their support, with a performance of the classical hit Carmina Burana... read more

Michael Houstoun bows out triumphantly at Waikanae in the company of the Amici Ensemble

By , 09/02/2020
The first concert in the Waikanae Music Society’s 2020 season welcomed the audience with a ‘Full House’ notice at the door: meaning that around 500 filled the hall. It was a celebration of Michael Houstoun’s long career: his last concert for the society which has hosted him regularly since 1986. He played in the company of Donald Armstrong’s Amici Ensemble which has also been a major and very popular... read more

Save Radio NZ Concert: sign a petition and write letters

By , 09/02/2020
Here is the one that's recommended: https://secure.avaaz.org/en/community_petitions/paul_thompson_and_willy_macalister_at_radio_new_ze_keep_rnz_concert_on_fm_and_retain_their_presenters/ This of course covers the bare bones of the issue. Of even more importance is the writing of letters that deal trenchantly with other associated issues. It needs to be asked how it comes about that the positions of chief executive and the head of music of RNZ  have been filled by people with no evident experience in public broadcasting, and with no knowledge of one... read more

RNZ Chief plans to destroy RNZ Concert

By , 06/02/2020
We reproduce below a report on Stuff website about the unbelievably barbaric plans of Radio New Zealand to sack all RNZ Concert staff, broadcast music without presenters, either live or recorded, transmit on only AM radio which is virtually defunct in New Zealand and throughout the world. We know no country in the western world that does not have a classical music broadcaster of the kind New Zealand has had... read more

Big audience for the first NZSO Shed series avoiding the mainstream classics

By , 31/01/2020
The idea of using the first of its Shed concerts to open the NZSO’s 2020 series proved a winner, as there was a bigger audience than I’ve seen at these before and the result was an endorsement of the idea of a less than formal affair to attract a different audience. Everyone I spoke to agreed that it had attracted people you wouldn’t see in the Michael Fowler Centre... read more

Poulenc’s “La Vox Humaine” given a stunning performance

By , 31/01/2020
As we took our seats in the confined spaces of Cuba St.’s Suite gallery, pianist Gabriela Glapska was playing the music of Satie, beautifully coalescing the sounds of the composer’s Gymnopedies, the dance figurations wrought by the pianist almost as “held” as if depicted on a Grecian urn and the tones as “imagined” as they were real - “heard melodies are sweet, but…..” – here, time seemed to be... read more

Third volume of Richard Farrell piano recordings a fascinating collection of till-now unreleased treasures

By , 16/12/2019
The third volume of recordings of piano performances by Richard Farrell (1926 – 1958) has appeared, nine years after the first volume. Apart from a couple of small pieces, none have been commercially released though Peter Mechen (who was the assistant producer and undertook research) reminds me that the Tchaikovsky concerto was played by the then Concert Programme in the 1980s and the Liszt recital was broadcast as part... read more

Large audience for a delightful concert by Camerata chamber orchestra

By , 16/12/2019
Camerata’s vision is to ‘perform high quality joyful chamber music accessible alike to newcomers and classical aficionados’. The small chamber orchestra includes members of Wellington’s professional orchestras as well as students and graduates of the NZ School of Music. It is a very accomplished ensemble. Corelli: Christmas Concerto Anne Loeser and Ursula Evans violins, Robert Ibell, cello This is probably Corelli’s most popular work, often featured in anthologies of Christmas music. It is now... read more

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