Supported by generous help from the Turnovsky Endowment Trust

Popular guitarists with delightful though unfamiliar music at St Andrew’s

By , 21/11/2018
Guitarists Jane Curry and Owen Moriarty are familiar figures at the St Andrew’s lunchtime concerts, and the sounds they make are particularly suited to the church’s acoustic. Furthermore, for anyone open to discoveries, more of the guitar repertoire than that of almost any other well-known instrument is unfamiliar. It’s not that only in recent years has it become a popular instrument in the classical music world; in fact, it... read more

“Puss in Boots” Pantomime gives delight for young and old alike at Circa Theatre

By , 18/11/2018
A director's note in the programme from Susan Wilson paid tribute to the late Paul Jenden 1955-2013), actor, dancer, director and author of this and several other pantomines performed by Circa over the years, describing his presence as “sadly missed”. One of his most successful pantomime adaptations was of the well-known story of “Puss-in-Boots”, based on the European fairy-tale known in Italy as Il gatto con gli stivali, and in... read more

Eternity Opera sings triumphantly once again at Wellington’s Hannah Playhouse – Puccini’s Madam Butterfly

By , 16/11/2018
Eternity Opera’s presentation at Wellington‘s Hannah Playhouse of one of the most famous of all grand operas, Giacomo Puccini’s Madama Butterfly, used a reduced orchestral accompaniment, a “rhyming” English translation of the Italian, and cut one of the more colourful episodes in the work’s Second Act, albeit involving the brief appearance of a “lesser”character. And yet, despite these diminutions of the original, the piece worked its usual theatrical and... read more

First-class performance of a Brahms masterpiece by Vivanti String Sextet

A sizeable audience heard this masterwork from Brahms, played by a sextet made up of members of the New Zealand Symphony Orchestra (plus friend Martin Jaenecke).  The work is seldom heard, probably because of the difficulty of assembling a sextet.  I don’t think I have heard it live since a concert given by a visiting ensemble in a Festival concert many years go – was it 1988?  1990?  They... read more

World Premiere in Palmerston North of 216 year-old work by English composer Samuel Arnold

By , 10/11/2018
Musical history was made on Saturday evening at Palmerston North’s Regent on Broadway, when local forces (the city’s Renaissance Singers and the Manawatu Sinfonia, plus a clutch of home-grown/nurtured vocal soloists) combined forces with Wellington soprano Pasquale Orchard and neighbouring Whanganui’s Schola Sacra Choir, under the inspired direction of conductor Guy Donaldson, to bring into being a world premiere with a difference. New Zealand being geographically as far away as... read more

Edo de Waart reaffirms his comprehensive Mahlerian authority and insight with Number Seven

The concert was one of Edo de Waart’s ‘Masterworks’ series.  A mammoth symphony of over 80 minutes in length was obviously not everyone’s cup of tea: the front block of seating downstairs was virtually empty.  But it was a tour de force for conductor and orchestra.  The huge variety of musical and instrumental content and the diversity of sounds, timbres and musical ideas bore out Mahler’s well-known saying that... read more

Eighteenth Century German music from two accomplished Wellington early music specialists

By , 07/11/2018
The musicians had asked that this recital be not reviewed. We are happy to comply with this request but because Middle C sees itself as both a vehicle for reviewing music, and an archival record of public classical music performance in Greater Wellington, this is simply an opportunity to record what was played. As well as to comment on the good sized audience and the great pleasure this particular audience... read more

Recital from pianist and concertmaster at Orchestra Wellington’s Saturday concert

By , 30/10/2018
The audience at Orchestra Wellington’s Saturday concert in which Christopher Park played Bartok’s piano concerto No 1 was invited to this lunchtime concert, and came along in good numbers (though fewer than for Johannes Moser after the NZSO concert where he’d played Shostakovich’s First Cello Concerto); he was joined by the orchestra’s concert master Amalia Hall, a friend, who was apparently instrumental in getting him to New Zealand to... read more

Great performances of unfamiliar Bartók and major Dvořák introduced by young geniuses

By , 27/10/2018
Each year, one of Orchestra Wellington’s concerts is embellished by a contribution from Arohnui Strings, the Sistema-inspired children’s orchestra based in the Hutt Valley. They took their places at the beginning of the concert in the place of most of the regular strings of Orchestra Wellington, interspersed by a few of the professionals to lend some body to the sound. The nerves and excitement of the young players infected... read more

Exuberance and poetry from pianist and conductor Lars Vogt with the NZSO

By , 26/10/2018
Review for "Upbeat" RNZ Concert (with David Morriss) Monday 29th October 2018 There's always great interest whenever somebody decides to take on the dual role of soloist and conductor in the performance of music - we had Freddy Kempf here with the NZSO a few years ago playing the entire cycle of Beethoven Piano Concertos, for example, which, from all accounts , was a great success. And now, with even more... read more

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