I was originally going to “roll two reviews into one”, as Dame Malvina Major was performing on consecutive days with the orchestra in Wellington; but after thoroughly enjoying the first of the two concerts I made an executive decision to write about the two events separately, so as to properly “place” the tumbling profusion of impressions that the first event alone landed upon me. What struck me most forcibly...
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When there is a delightful programme, a thoroughly enjoyable and satisfying performance and players of the calibre of these NZSO members and a pianist of international stature, there is really not much for a reviewer to say. Each of the musicians played perfectly, as far as I could tell.
The Mozart quintet is quite well-known, and was claimed at the time by its composer to be “the best thing I...
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We are in the season of mid-year, students’ recitals from the New Zealand School of Music; in this, we had five women and one man in a programme that was varied and delightful.
Though I missed the first three songs, from Imogen Thirlwall and Xingxing Wang, they both reappeared later so that I could gain some impression of their talents.
Laura Dawson had just begun
Der Nüssbaum from Schumann’s cycle
Myrthen... read more
This concert reinforced my feeling that there is a pressing need in Wellington for an alternative mid-sized venue for concerts. Ensembles such as amateur and student orchestras, whose following wouldn’t perhaps stretch to filling with audience an auditorium such as the Town Hall, nevertheless deserve to play somewhere that’s more acoustically grateful to orchestral sound than is St. Andrew’s on-the-Terrace Church. Throughout both of the orchestral concerts I’ve... read more
Nicholas Grigsby is Director of Music at Wanganui Collegiate School, and a fine organist. This event was obviously designed to showcase the brilliant new two-manual organ at St. Paul’s Lutheran church. It is a small but incisive instrument.
Grigsby covered only the early years of Bach’s career, and illustrated his talk with illustrations from archives and published scores, as well as at the organ. He stated that Bach must have...
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Christine Argyle's "Nota Bene" Choir got the mix right for their Mother's Day concert, with a programme of music whose first half did strong, sonorous homage to Mary, the Virgin Mother of God, before paying tribute after the interval to ordinary, everyday mothers, with songs of affection, remembrance, and wry humour - and finishing with "Rytmus", Ivan Hrušovsky's well-known "choral etude" in praise of Eve, the first human mother...
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A delightful recital by two well-qualified young musicians, both already having quite impressive track-records took place on Saturday.