Most of our readers will be aware of the announcement a week ago by the Minister of Broadcasting, Dr Jonathan Coleman, that Radio New Zealand would have to sustain cuts; and he eyed especially RNZ Concert. The threat is extremely serious. But the first thing to consider is the legitimacy of the minister’s action. Radio New Zealand is funded through New Zealand on Air which was set up to be an arms-length body that distributes funds to TVNZ and Radio New Zealand. How it allocates its money is not a matter for Government control – that was the reason for...  Read More »

(N.B. Ross Harris has drawn my attention to a mistake and to a couple of other misunderstandings in my review and the review has now been amended.Wednesday 10 March) The series of lunchtime and early evening concerts at St Andrew’s opened with a highly diverting concert of Klezmer music – the music of the Jewish cultures of Eastern Europe, whose traditional language is Yiddish, derived from Middle High German, mixed with Hebrew, Aramaic, Slav and Romance languages. The group's name, Kugeltov, dervives from Kugel which means ‘ball’ in German. A Kugel is a staple of Jewish cooking and it originally referred...  Read More »

Occupying one of just two chamber music concerts in evening slots in the Festival, this superb group was co-promoted by Chamber Music New Zealand and, as far as the Festival is concerned, may well not have contributed to visitors coming from other parts of the country since the Borodin Quartet is touring all ten centers in which CMNZ performs. There was a full house, in any case. Their all-Russian programme might not have been very adventurous but the pieces are undoubtedly among the greatest in the repertory. The first thing that struck me was the feeling of ease and the...  Read More »

New Zealand Symphony Orchestra conducted by Anthony Legge  with Simon O'Neill (tenor) (New Zealand International Arts Festival) Michael Fowler Centre Friday 5 March 2010 It is interesting and perhaps almost a defining characteristic of New Zealand art, to devote attention to perceived weaknesses in an artist once the rest of the world has acclaimed them, and give perfunctory credit to an artist who has excited everyone else. Simon O’Neill is being subjected to this a little, though happily, he is able to ignore it in the light of the more positive appreciation from those here and overseas who focus on the...  Read More »

The New Zealand war, so advertised in the production’s publicity, turns out to be not the land wars of the 19th century, but World War I, specifically the Gallipoli experience to which it has become fashionable to attribute the emergence of some sort of national New Zealand soul and identity. The promotion also offers the following: “‘Home’ is an original performance of song and spoken word, weaving the story of Scottish immigrants into the story of a nation.  The performance uses diary entries and letters to tell the story of Maggie, a recent immigrant from Scotland, and Johnnie, a first...  Read More »