Supported by generous help from the Turnovsky Endowment Trust

Inbal Megiddo (‘cello) and Te Kōkī Trio record music for the ages

By , 16/04/2018
Inbal Megiddo is presently the head of ‘Cello Studies at the New Zealand School of Music, Victoria University of Wellington, and has appeared in numerous concerts in Wellington both as a soloist and as a member of Te Kōkī Trio, an ensemble in which she is joined by two other faculty members, Martin Riseley, and Jian Liu, the respective heads of violin and piano studies at the school. Her... read more

Thoughtful, enterprising programming from Michael Houstoun performed with conviction and sensitivity

By , 12/04/2018
I remember reading somewhere amongst the material advertising this Hutt Valley Chamber Music concert a passage quoting Michael Houstoun as saying he thought the choice of repertoire here had produced “the most perfect recital he had ever put together”. After listening to his strong, deeply considered playing of all three works, I felt bound to concur with his judgement, with each of his choices having some quality that seemed... read more

Rachmaninov’s Vespers richly resound with Inspirare and Mark Stamper at St.Mary of the Angels

By , 07/04/2018
Rachmaninov’s somewhat cumbersome title for this work (The Most Important Hymns of the “All Night Vigil”) though literally accurate, epitomises the composer’s characteristic self-effacing attitude to all of his musical undertakings. Fortunately for its deserved popularity, the piece has come to be commonly known as the “Vespers”, pure and simple (in the manner of Monteverdi’s similarly-titled work), however incorrect as a description – in fact Rachmaninov’s work contains settings... read more

Hearty lunchtime fare at St.Andrew’s with Beethoven and Gershwin

By , 28/03/2018

Guest reviewer - Christina Wells

Wednesday’s lunchtime saw a good crowd at St. Andrew’s Church, all looking forward to hearing a performance of the superlative “Kreutzer” Sonata by Beethoven, for violin and piano. We were warned at the outset by violinist Caroline van Leuven that it was “vigorous stuff” and that we were to “hold onto” our hats! The sonata was delivered with plenty of fire from the violinist and matched... read more

Brilliance and feeling from the Mazzoli Trio at Lower Hutt

By , 26/03/2018
Formed in 2015 by students from the University of Auckland and the Pettman National Junior Academy of Music, the Mazzoli Trio, so the story goes, took its name from that of a composer of a piece of music which was one of the first the trio of musicians had prepared. They had fallen in love with the piece, one called “Lies You Can Believe In”, written by up-and-coming New... read more

Camerata’s “Haydn in the Church” series throws open the leadlights

By , 23/03/2018
Venues for concerts are obviously part-and-parcel of the experience of listening to and enjoying live music. They can be relatively unobtrusive, allowing the audience’s attention to focus primarily on the musicians and their playing of the music; or they can provide “added value” to the experience, either visually or acoustically – in the happiest of cases both the concert’s sight and sound are positively enhanced by the surroundings. These musings... read more

Switzerland – Circa Theatre’s absorbing “life and art” thriller

By , 20/03/2018
Playwright Joanna Murray-Smith remembers her mother reading American author Patricia Highsmith’s novels “voraciously”, and with an intensity of concentration that left a deep impression upon her. She was to find herself in turn similarly “drawn in” by Highsmith’s writing, in particular by what she termed her “utterly fearless curiosity about the darkness of the human psyche”. Subsequently, in her play “Switzerland”, where Murray-Smith depicts the author, in self-imposed exile... read more

Anderson and Roe Piano Duo – a compelling and invigorating mix of gravitas and glitter!

By , 17/03/2018
Duo pianists Anderson and Roe are very much the products of the millennial age, two accomplished graduates from the Juilliard School of Music who make music together out of a shared vision of wanting “to strengthen and make more relevant the place of classical music in the new millennium”. They’ve been playing as a duo for fourteen years, now, and intend to continue to do so, along with keeping... read more

Orpheus – a Dance Drama – beautiful, complex and thought-provoking work from Michael Parmenter

By , 16/03/2018
The "Orpheus legend" is obviously one of the seminal "stories" which has contributed towards western civilisation's view of itself and its place in the world down the ages. Orpheus himself is a multi-faceted figure whose qualities and exploits have been variously treated and interpreted at different stages, a process that continues to this day, as witness choreopher Michael Parmenter's ambitious and wide-ranging "take" on the character's far-reaching exploits. Most people... read more

Two resounding recordings from Rattle – classics and a feisty newcomer

By , 23/02/2018
Taking the contents of both CDs listed above, one might argue that there are two "classic" compositions to be found among these works, one recognised internationally and the other locally, each defined as such by its popularity and general recognition as a notable piece of work. If this suggests a kind of facile populist judgement, one might reflect that posterity does eventually take over, either continuing to further enhance... read more

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