Supported by generous help from the Turnovsky Endowment Trust

An unusual trio throws fresh, sometimes questionable light on a variety of chamber pieces

By , 03/05/2015
This, just incidentally, was the third recital involving a flute within a month – see Middle C of 1 and 29 April. The Trio by the amateur and rather obscure 19th century French composer, François de Fossa, was written originally for violin, guitar and cello (reflecting the widespread interest in the guitar in the first half of the 19th century). I had not heard of De Fossa and have been interested... read more

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