Supported by generous help from the Turnovsky Endowment Trust

Posts tagged: organ

At St Mary’s, Karori: viola and organ music drawn from Bach, Elgar and an obscure York Minster organist

A rather small audience enjoyed a ‘Bach sandwich’ as the artists described it.  The opening work, played by viola and organ immediately impressed with the euphonious tone of the viola, which one so seldom hears played solo, or with simply an accompaniment.  Flute tones from the organ were a sufficient contrast to allow the viola to really speak with its own voice.  It was described by the person introducing... read more

Ron Newton plays for St James 2017 Sunday Organ Series

Dr Ron Newton, as well as being an organist, is an organ builder and travels throughout the country working on organs English composer John Baptiste Calkin (1827 – 1905) is not often heard of these days.  He wrote a lot of church and organ music.  I found his march rather undistinguished, though obviously written for a time when organ music was often symphonic in nature (and often being transcriptions of... read more

Interesting organ programme from Tom Chatterton at St James, Lower Hutt

Tom Chatterton, a fairly recent arrival from Britain (where he attended Uppingham School, where Professor Peter Godfrey taught before coming to New Zealand), was heard by upwards of 40 people, on the impressive three-manual organ.  His mixing of shorter, more lyrical pieces between longer, more serious ones was good programming.  It was a shame that the Bach Prelude and Fugue was a substitute for Toccata in C, BWV 564... read more

Interesting organ recital ranging from 17th to mid-20th century from Paul Rosoman

By , 03/05/2017
The chamber organ which is normally on the right of the sanctuary was moved to the centre for this recital, allowing the audience to be more involved in the performance. It struck me as an excellent idea, one that others could well emulate when it is to be played on its own. It was a programme entirely given over to composers of Germany and the Low Countries. The baroque organ... read more

Interestingly presented, varied programme of works on organ of St James Church

A rather more healthily-sized audience greeted this recital compared with that for the previous recital in the series, which was held on a Saturday night. Preliminary remarks from representatives of both St. James’s Church and the Wellington Organists Association mentioned that there had been some damage to the organ in the 7.8 earthquake two weeks ago, but the effect was not great.  Following this, Douglas Mews gave introductory remarks to... read more

Celebrity organ (and viola) recital at St James, Lower Hutt

It was a pity that this recital was scheduled for the same night as a New Zealand Symphony Orchestra concert, which undoubtedly affected audience numbers. Nevertheless, a varied and interesting programme was enjoyed by those who attended. Arvo Pärt’s Fratres is familiar in sundry instrumentations. Here was an unusual version, for viola and organ. It opened with the viola playing solo, high up towards the fingerboard. This was very effective... read more

Max Reger – The Romantic Bach? – splendid advocacy from Bruce Cash

By , 14/10/2016
This was the second of three lecture/recitals on the life and works of German composer Max Reger (1873-1916) by organist and choral conductor Bruce Cash. On the strength of this experience with the music of a relatively neglected composer, I found myself wishing I'd gone to the first of Cash's presentations earlier this year, and will certainly go to the third one, scheduled for March 2017. Fashions have a disconcerting... read more

A good case for Mendelssohn’s (complete) organ music in cathedral series

By , 22/07/2016
On top of last year’s Bach Project from Michael Stewart and Richard Apperley and the latter’s Buxtehude Project that’s running now, cathedral director of music, Michael Stewart, has now invited us to pay attention to and hopefully change our minds about Mendelssohn. In his introductory notes for the first of the series of recitals he claimed that Mendelssohn had “made an incredibly profound contribution to the organ and its... read more

Buxtehude’s credentials solidly confirmed at the 6th of the organ series at Saint Paul’s

By , 15/07/2016
On 17 June I covered some of the background to the formidable complete organ works of Dieterich Buxtehude, after the first four of the series had eluded me (read: Middle C, or I, had neglected them, a grave oversight). Here was the 6th of the series. The first work in the programme was fairly large, employing three fugues; optimistic in tone, as the key of C major seems to inspire in... read more

An organic awakening at a Friday lunchtime at St Paul’s Cathedral

By , 17/06/2016
This was the fifth recital in the series of lunchtime recitals that are designed to cover Buxtehude’s works for the organ. Compared with the Bach family, remarkably little is known positively about Buxtehude, including the place and date of birth, though the best evidence is between 1637 and 1639 in Helsingborg (now in Sweden), a city a short distance to the north of Malmö on the Öresund, opposite Copenhagen... read more

Panorama Theme by Themocracy