Dr Douglas K. Mews was Associate Professor of Music at theUniversityofAucklandfrom 1974 until his retirement in 1984.  He was also Director of Music at St. Patrick’s Cathedral in Auckland from 1970 to 1982. He was a composer, and a lively, instructive and entertaining broadcaster on what was then the Concert Programme, his soft Newfoundland accent being very easy to listen to. There is a complaint that the general view is that... read more

This was the first of a new series of six concerts at lunchtime Thursdays devoted to Bach. Unusually, the series puts together a number of organ works, not all very well known, alongside all six of Bach’s cello suites. It looks like a joint initiative of the church’s musical director, Robert Oliver and Douglas Mews; at this first concert the audience was big enough to reassure the church that it... read more

I was asked by the young man to whom I gave a ride into town on Wednesday, when I told him I was going to an organ recital: “Why do skeletons not play music in church?” Answer:  “Because they have no organs.”  But St. Andrew’s on The Terrace has two, and it was refreshing to hear the chamber organ this time. What was even more refreshing was to see it... read more

Chris Hainsworth believes that organ recitals should not be solemn, passive affairs. Wisecracks and commentary from the organ loft (not all of which could be heard toward the front of the church) and jocular groupings of pieces in the printed programme (e.g. The Four Seasons – NOT by Vivaldi; Strictly for the Birds and Grand Megalomaniacal Improvisation) gave the flavour. However, the layout on the printed page was not... read more

Dianne Halliday gave her audience a wonderful conspectus of French organ music for Christmas, mainly. but not exclusively, from the nineteenth and twentieth centuries.  It was a pity that the composers’ dates were not in the printed programme.  However, I was able to find all except one, in a variety of sources, but chiefly Wikipedia. The opening piece was ‘Chant du Roi René’ from Les Livres de Noëls by Alexandre... read more

When Polish organist Gedymin Grubba was here almost exactly two years ago, he played the relatively small baroque-style organ at St. Paul’s Lutheran Church.   How very different to play on the much larger, recently-restored William Hill organ at St. Peter’s!  Despite that, most of this programme was from the baroque era. This time, more of the music was familiar to me, but I find some of the remarks I made... read more

What an enchanting place in which to listen to music, I thought, while waiting and looking around from my pew-seat in St.Peter's Church on Willis St. in Wellington. My reactions were undoubtedly fuelled by the afternoon's sunbeams, whose wan and wintry outside effect somehow took on a transcendental quality, refracted through the west-facing windows of the church, immediately behind the congregation. The light came streaming in, bathing the whole... read more

Back when the Wellington Chamber Music Society proposed having a series of concerts on Sunday afternoons, nearly thirty years ago, a senior person within the Music Federation (as Chamber Music New Zealand was named then) predicted it wouldn’t work; Sunday concerts had been tried and weren’t well supported.  Now, not only is the WCMS series still going, but Sunday afternoons have become almost de rigeur for classical concerts.  Sunday... read more

A glance at the programme and the list of performers at the head of this review will give the reader an idea of the range and scope of this undertaking - a fascinating, and, as it turned out, extremely rewarding concert. Centred firmly around the music of Louis Vierne (1870-1937) the presentation included also organ pieces and songs written by other French composers. To begin with, organist Paul Rosoman seemed... read more

Janet Gibbs chose a delightful programme that was a mix of the well-known, the lesser-known and the unknown. Sitting quite close to the organ, I was aware of its quite strident sound, facing directly out to the auditorium as it does, rather than into the choir, or from a gallery, or from a side alcove as in most churches.  However, I soon became accustomed to this.  The great advantage in... read more