A thoroughly enjoyable evening’s music was had by all who filled the downstairs of the church.  As usual, the beautiful blended sound and the accuracy of performance were captivating. All translations were printed in the programme, and for the most part, English words were readily communicated. Four voices to each SATB part were further divided for some items.  Most members of the choir looked completely involved in their task.  The choir... read more

I don’t think I’ve heard the Kapiti Concert Orchestra play before, which does seem an extraordinary state of affairs. In fact, Middle C seems to have noticed the orchestra’s performance only once: my colleague Rosemary Collier reviewed their concert for Christchurch in March 2011. This concert under conductor Ken Young revealed an ensemble that must be one of the most accomplished to arise in a community of only about 40000... read more

This event was one of those marvellous musical experiences that proves to be as much a celebration as a concert. It was an evening that showcased some 75 young kiwi musicians brimming with talent, passion and stunning professionalism. They were led by Australian conductor Richard Gill, an outstanding educator and musician who has encouraged thousands of youngsters in their journey to musical maturity, and the rapport between conductor and... read more

Professor Elizabeth Hudson has stepped down from her role as the inaugural Director of Te Kōkī New Zealand School of Music. The School was launched in 2006 as a joint venture between Massey University and Victoria University of Wellington, and has become a leader in tertiary music study. On behalf of the NZSM Board of Directors, the Hon Steve Maharey, Vice-Chancellor of Massey University, and Victoria Vice-Chancellor Professor Pat Walsh thanked... read more

Against the background of Shane Cotton’s huge canvases depicting Maori heads and related images, the NZ Trio projected a distinctly more civilized impression. The lighting was vivid white, like the walls, and the air-conditioning, offering a hush that not inappropriately suggested a calm sea voyage, here, in one of the world’s most climatically dramatic capitals. But the opening piece, by 47-year-old Australian Stuart Greenbaum, spoke nothing of the elements, nothing... read more

The New Zealand School of Music’s last lunchtime concert before the mid-semester break was a recital by NZSM staff members of works especially written for them by current and previous VUW and NZSM staff members. Stephan Prock teaches composition at the School. His Stradivariazioni was commissioned by Martin Riseley and Diedre Irons for a 2011 Chamber Music New Zealand tour. In effect a suite of six movements, the initial themes... read more

I've deliberately let more than a few days pass before attempting to set down my thoughts regarding what I heard at Serbian pianist Sonja Radojkovic's recent Lower Hutt piano recital. Even now I'm not sure of being able to do the event full justice, but the Law of Diminished Returns will undoubtedly kick in and play havoc with memory if I wait too much longer. The pianist was supposed to... read more

  This was the debut performance of the NZSM Cello Ensemble, a group of eight women students directed by Inbal Megiddo, cello lecturer at the school. It offered a new sound to Wellington concert goers, and the opportunity to hear both familiar and new works arranged for this interesting combination. The opening item was the Prelude from Bach’s solo cello Suite no.5, played by Lucy Gijsbers, principal of the Ensemble. The... read more

The Adam Concert Room darkens. Electronic sound wells up like a rushing wind. After several minutes, a tall, gaunt figure mounts a platform at the back. The lights fade up to reveal the futuristically silver-clad spaceman from the Dog Star. So began Stockhausen’s Capricorn, an adapted segment of his longer work SIRIUS. Low electronic sounds underlying Nicholas Isherwood’s voice gradually rose in pitch over the half-hour (or so) of the... read more

Despite the rather corny title of the concert, the church was well-filled to hear the last concert to be conducted by Marie Brown, who is moving to Auckland, following eight years as Music Director  of the choir; she will be greatly missed. A delightful mixture of arias and choruses from opera made up the fare: some items were well known, or ‘hits’, others less-known, while some were based on myths While... read more