Supported by generous help from the Turnovsky Endowment Trust

Posts tagged: choral

Inspirare’s partnership with Youth Choirs a resounding success

By , 15/09/2018
This second concert that I’ve attended which featured the voices of Inspirare, a choir founded by their director, Mark L.Stamper, couldn’t have been more different from the first one (an inspirational performance of Sergei Rachmaninov’s All Night Vigil earlier this year), but was equally impressive in achieving what it had obviously set out to do. In the same venue as where the previous concert had held its audience spellbound... read more

Excellent choral concert from three young Wellington choirs and the New Zealand Youth Choir

By , 09/09/2018
This concert by mainly young choral singers was promoted as ‘A celebration of great choral and ensemble singing’. Each choir was to sing alone and with one or two other choirs and finally all joined to sing David Hamilton’s Dance-song to the Creator. The publicity also remarked on the choice of venue: the gorgeous Opera House. And of course I share their affection for one of the few remaining turn-of-the-century... read more

Dynamic, muscular and sonorous – Orpheus and Wellington Youth choirs tackle Verdi’s Requiem with Orchestra Wellington to stupendous effect

By , 08/09/2018
Choir(s) and Orchestra alike would have been more than gratified at the audience turnout for this concert – the ensuing atmosphere reminded me of the same combination’s brilliantly successful presentation of Orff’s “Carmina Burana” of a couple of years ago. Naturally, the performance ethos in this instance was somewhat more sombre, as befitted the subject matter, but the musicians’ commitment to the task of realising the sounds was in... read more

Triumphant performances of choral masterpieces of Vivaldi and Handel

By , 01/09/2018
Gloria Vivaldi is believed to have composed three settings of the Gloria; one of them is lost, but the other, RV 588, is extant and sometimes performed. I think both are in the key of D. I can recall hearing it sung in Wellington, 15, 20 years ago. But I don’t have clear memory of it. I suspect it was at St John’s church on Willis Street. If anyone can... read more

Admirable exploration of challenging Purcell and gorgeous Fauré from Nota Bene

By , 08/07/2018
Looking back through Middle C’s archive, I was a little surprised to discover that Nota Bene was founded as far back as 2004; we have reviewed 18 of their concerts since our beginning in 2008. It was founded by Christine Argyle, and has been under the direction of several others since, including, quite often, Peter Walls. Concerts are usually constructed round a theme, and the theme here was death and... read more

Liturgical music, dramatic and meditative in splendid Orpheus Choir concert

By , 26/05/2018
The Orpheus Choir made a striking decision to perform two great choral works that are not often heard – one that is well-enough known but not so often heard (the Duruflé) and Dvořák’s Te Deum which I had not heard before. It’s one of those pieces that you are sure you’ve heard at some time, but turns out to be quite unfamiliar. Gabrieli and Dvořák However, the concert began with something... read more

Unusual but timely concert by Supertonic, dynamic mixture of the musical, the political, the sexual

By , 20/05/2018
Middle C has reviewed two previous concerts by Supertonic (both by Rosemary Collier), in 2015, and she was impressed (where have we been in the meantime?). They were in different venues, the Sacred Heart Cathedral and the New Zealand Portrait Gallery. This time they gave me my first experience in the Pipitea Marae, which I’m ashamed to confess I’d never been in; a building of normal construction, with impressive... read more

Impressive and stylish performance of Bach’s great Mass in B minor celebrates choir’s 50 years

A handsome A4-size printed programme with a good size of typeface greeted the almost capacity audience at the concert.  Inside was a potted history of the choir, and good programme notes, credited to the internet source, plus entire libretto of the Mass, with English translations. This work, one of the pinnacles of the choral repertoire, is Bach’s only Mass, though made up partly of a number of earlier pieces, written... read more

Fabulous students choir fully prepared for Hong Kong choral festival in July

A rather damp, cool evening after days of beautiful, calm weather did not daunt family, friends and supporters of the choir; the church was packed. The 55-member choir proved to be in great form, and well-trained in a diversity of choral music.  Their interpretations were always adapted to the style and age of music being performed.  Diverse tone and approach were sensitively observed.  I found myself writing down ‘men’ and... read more

Nota Bene at Sacred Heart Cathedral: an enjoyable concert by a very accomplished choir

An imaginative concert full of delightful songs beautifully sung, it attracted  a moderate audience.  The diversity and careful planning of the programme was let down, in my view, by being broken up by too much applause.  Since it was divided into five Parts, it would have been sensible to have asked the audience to keep applause to the end of each Part.  As it was, almost every song was... read more

Panorama Theme by Themocracy