Supported by generous help from the Turnovsky Endowment Trust

Circa Theatre’s “Under Milk Wood” a vital and rumbustious celebration of “LLareggub”

By , 13/10/2018
People who grew up with the sounds of the voices of either Dylan Thomas himself, or of Welsh actor Richard Burton, as the “First Voice” on any of the two recordings of Thomas’s verse-play “Under Milk Wood” that were available in New Zealand from the 1950s, were given the work pretty much as its author would have expected it to be performed – as a play for voices, to... read more

Heroic welcome for the new digital organ in St Paul’s Cathedral

To celebrate the inauguration of its new Viscount Regent Classic digital organ, the Wellington Cathedral of St. Paul has put on an Organ Festival.  The guest organist, Dr Joseph Nolan, is a British organist, formerly organist at the Chapels Royal in London (involving numbers of different organs, including one at Buckingham Palace), but since 2008, Organist and Master of Music at St. George’s Cathedral in Perth, Western Australia. Probably due... read more

Sending it up on the double bass and sparkling at the piano, plus other strings

By , 11/10/2018
This concert in Chamber Music New Zealand’s subscription series had an unusual character. It featured two international-class musicians alongside three of the members of the New Zealand String Quartet. Piers Lane has made several visits to New Zealand, including at least a couple of times to the Adam Chamber Music Festival in Nelson. As in the present concert, both pianist and bassist have often been in combination with chamber music... read more

Diverting, varied, guitar recital by NZSM students

It was not easy to understand what were the alterations to this concert’s programme, caused in part by illness; the microphone not working (as indeed it did not the previous week) didn’t help matters. First up in this varied programme were Rameka Tamaki and Oliver Featherston.  They played as a guitar duo Theme & Variations from Sextet Opus 18 (second movement) by Johannes Brahms (1833 - 1897), arranged by the... read more

Puccini’s La Boheme in Wellington – ineffably human and heartfelt

By , 04/10/2018
It may seem a strange entry point for a review’s beginning - but at the opening night of New Zealand Opera’s 2018 season of “La Boheme” in the Wellington Opera House on Thursday last, there was for me, near the Second Act’s conclusion, a “great moment”, whose incredible lyrical surge and explosion of sheer theatrical energy seemed at once to overshadow and enhance the significance of everything that had... read more

NZSM cellists under Inbal Megiddo play cello favourites, some rare, some in disguise, all skilled and entertaining

lnbal Megiddo is the head of Cello Studies at the New Zealand School of Music.  Along with her today were seven cello students, all highly competent on the instrument.  Their varied programme was heard by a sizeable audience. The programme commenced with a very fine arrangement of Mozart’s Overture to his opera The Magic Flute, by Douglas Moore, an American composer who died in 1969. The tone of the four... read more

300 years of riches from the NZSM Orchestra – What is it about Bartok’s Second Violin Concerto this year?

By , 02/10/2018
Though primarily a vehicle for displaying the stellar talents of violinist Claudia Tarrant-Matthews, winner of the NZSM Concerto Competition for 2018, this concert gave considerable added value in terms of the wide range of repertoire, not to mention the quality of the NZSM Orchestra’s committed, focused and excitingly-played performances of the same. Following Tarrant-Matthews’ astonishing traversal of one of the twentieth century’s truly great concertos, we heard an evocative... read more

Panorama Theme by Themocracy