Supported by generous help from the Turnovsky Endowment Trust

Emotion-laden concert an appropriate response to the remembrance of the Holocaust

By , 30/07/2019
Laurence Sherr is Composer-in-Residence and Professor of Music at Kennesaw State University, Georgia. He is a prolific and versatile composer. The son of a couple who escaped Poland just before the outbreak of the Second World War and settled in the United States, he has a strong interest in the Holocaust and Holocaust education. He lectures all over the world on Holocaust remembrance music and first came to Wellington... read more

The best drawn from Wellington Youth Orchestra in taxing programme under Donald Armstrong

By , 28/07/2019
The Wellington Youth Orchestra is the only full-size symphony orchestra for young players in Wellington. The ages of the members range from 25 to 13. They all have to go through a rigorous audition to join. The orchestra has an important place in the Wellington musical scene, not only for the varied and interesting programmes it offers, but because it is a stepping stone for young people who aspire... read more

Warming our hearts in mid-winter – Cantoris directed by Thomas Nikora

By , 27/07/2019
This was the kind of programme whose content and presentation couldn’t have done a better job of warming the cockles of both audience hearts and sensibilities, having already drawn our attention via the concert’s title to the evening’s delightful and characteristic seasonal ambiences. Choral items naturally enough made up the lion’s share of the presentations, but by way of contrast and variety we heard two songs for baritone with... read more

Cheerful winds of fruitfulness blowing through St. Andrews

By , 24/07/2019
This was a concert of cheerful short pieces. Bach's Fugue is referred to a 'Little' to distinguish it from its longer and very grand 'Great Fantasia and Fugue in G minor'. Bach wrote it for the organ and it was arranged for various different groups, including a wind quintet. It requires very precise, accurate playing by each of the players. The five individual voices have to be clearly articulated and... read more

Two out of three from Puccini’s Il Trittico boldly and confidently presented by the NZSM

By , 19/07/2019
When Giacomo Puccini first penned his Il Trittico (Triptych), consisting of three short operas designed to fill a single evening (premiered as such in New York in December 1918), various considerations combined to elevate the third of these works, the rollickingly comic Gianni Schicchi, to pride of place in the public’s affections, leaving the other two, the violent, bloody Il Tabarro (The Cloak) and the somewhat sanctimonious Suor Angelica... read more

A piano recital at St Andrew’s deserving a full house: Beethoven’s Eroica Variations surrounded by circus variety

By , 17/07/2019
Her name rang a bell, but I couldn’t recall actually seeing or hearing her play. The Middle C archive revealed that my colleague, Peter Mechen had reviewed an earlier lunchtime recital by her in August 2016 when, inter alia she had played Schumann’s Davidsbündlertänz, later Rameau’s Le rappel des oiseaux. Born in Taiwan and educated mainly in the United States, she now lives in Auckland. That sort of programming clearly... read more

Extraordinary music-making from the 2019 Adam Troubadours

By , 17/07/2019
Behold, the 2019 Adam Troubadours! – a name that suggested something adventuresome and “here-and-now”, performers whose defining characteristics would give their music-making real distinction – and so it proved, in a concert for Chamber Music Hutt Valley that disarmed one’s listening by the act of its performers simply surpassing themselves as the evening ran its course. The above are young string musicians selected from those attending Adam Summer Schools... read more

The Night Watch’s “Every Breath you take” a great success at the NZSM

By , 14/07/2019
2019 is turning into a “bumper” year for me as regards richly-stimulating and keenly-recalled concert experiences! As befits a place that likes to style itself as something of a cultural centre, Wellington has certainly played host to the efforts of some remarkable musicians performing some fascinating assemblages of repertoire so far this year, and with more to come, as a glance at any collection of concert schedules to hand... read more

Splendid, richly satisfying NZSO concert of four strongly contrasted works played with mastery and conviction

By , 13/07/2019
Anniversary: Cook’s first voyage and Matauranga  The first piece in Saturday’s concert was entitled Matauranga, which means ‘knowledge, wisdom, understanding, skill’, according to the programme note. It was in part to mark the 250th anniversary of Cook’s first voyage one of whose purposes was to observe the transit of Venus in Tahiti in June 1769. His reaching New Zealand was timely to observe the transit of Mercury on the Coromandel... read more

Medlyn and Greager give rewarding and intelligent recital of early 20th century songs, plus four by Vincent O’Sullivan/Ross Harris

By , 10/07/2019
A song recital by two internationally renowned singers based in Wellington is a significant musical event. The programme was like a snapshot of the music of the first half of the twentieth century across a wide range of countries, Austria, France, Germany, Italy, Russia, with a more recent item from New Zealand. The concert began with Margaret Medlyn singing Alban Berg's Seven Early Songs (1907). These songs were written under... read more

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