Supported by generous help from the Turnovsky Endowment Trust

NZSO: Salonen’s Violin Concerto points in a fruitful, inspiring direction; Schubert’s Greatness persists through 200 years

By , 08/11/2019
Here was another NZSO concert that merited a bigger audience. Again, as at the 24 October concert, the gallery was well inhabited but the stalls rather sparse. A concert that is dominated by a very long work, unless by Mahler or perhaps Bruckner, suffers from a lack of variety and there needs to be a smaller, first-half piece that will overcome it, probably a familiar and well-loved concerto. Finnish conductor... read more

Helen Moulder and Sir Jon Trimmer warmly invite all of us to “meet Karpovsky” at Wellington’s Circa Theatre

By , 06/11/2019
I thought, both for myself and for the readers of “Middle C”, I’d explore the colourful genesis of Circa’s current production “Meeting Karpovsky”, as it was something I for one knew very little about, having not seen the original 2002 production. It all came about through actress Helen Moulder wanting to bring to fruition a long-held desire to be able to dance with Sir Jon Trimmer, the doyen of... read more

Diverting and varied concert in The Queen’s Closet, devoted to all the pleasures at the Prefab

By , 03/11/2019
The lively atmosphere of the Prefab on Jessie Street provides a happy environment for all kinds of music, not least for classical music of all kinds. It facilitates experimental and early music, instrumental and choral, serious and whatever the opposite might be. The Queen’s Closet consists partly of NZSO and Orchestra Wellington players as well as some whose provenance I don’t know. The English Restoration They devote themselves to the Restoration, the... read more

Exceptional recital from Alexander Gavrylyuk gets tumultuous applause at Waikanae

By , 03/11/2019
Alexander Gavrylyuk, the internationally celebrated Ukranian/Australian pianist, has become a regular visitor to Waikanae. He played there in 2017 and 2016, so I knew that we would be in for an exceptional concert. Peter Mechen, my colleague at Middle C, had written about the pianist's ability to enchant his listeners with every note and in doing so, display a Sviatoslav Richter-like capacity to invest each sound with a kind... read more

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