No work has inspired more disagreements among both scholars and musicians regarding both its history and performance practice than Monteverdi's Vespers of 1610. The British musicologist Denis Arnold once wrote about the work, "To perform it is to court disaster. To write about it is to alienate some of one's best friends". Happily for Wellington audiences, no such strictures seemed to hang over the head of Musica Sacra concert series director Robert Oliver, who organised and directed two performances of the work in the splendidly atmospheric precincts of St Mary of the Angels Church, marking the 400th anniversary of the...  Read More »

La Musica Antica consisted of singers and instrumentalists from different performing groups in Wellington coming together to charm and delight an audience with some utterly gorgeous sounds from the late Renaissance/early Baroque era, all secular music, and mostly on the topic of love.  A programme with English translations of the songs was provided at the concert, but I had little recourse to refer to mine during the performances, so captivated was I with the “sounds” of the music-making, the combination of voices, cornetto, viola da gamba and virginals having an unashamedly sensuous appeal to my susceptible ears. Remarkably, these musicians recreated...  Read More »

The Tudor Consort’s first concert of 2010 was wholly devoted to vocal liturgical music by William Byrd, apart from the inclusion of two of his keyboard fantasias played by Douglas Mews. The choir’s director, Michael Stewart, spoke before the concert about Byrd’s two volumes of Gradualia, a term used sometimes used for the settings of the ‘Proper’ of the Mass – the part that varies according to the festivals of the church calendar – as well as for one section within the ‘Proper’; and he distinguished the ‘Proper’ from the ‘Ordinary’ of the mass whose six parts are unvarying: the...  Read More »

Tenebrae Responsories for Good Friday by Carlo Gesualdo The Tudor Consort directed by Michael Stewart Cathedral of the Sacred Heart, Friday 10 April The re-creation of entire liturgies of the medieval and renaissance church has long been a popular activity for early music groups and The Tudor Consort has a long history of such achievements under all its directors from the founder, Simon Ravens, on. Some have been intensely rewarding, but the Tenebrae Responsories of Gesualdo (1560-1613), (cf Campion and Monteverdi, both born 1567, Shakespeare, born 1564), were a challenge. They were undoubtedly a challenge for the choir, which their...  Read More »